Celebrating Father’s Day, the latest installment of Kallie’s Chords features tracks celebrating the bond between parent and child. Check out the playlist above for father-daughter songs, father-son tunes, and melodies that capture the joys of parenthood. Happy Father’s Day to all the ‘Nova Nation Dads!
Kallie Stahl, MA ’17 CLAS, is communication and marketing specialist at Falvey Memorial Library. Her father ends every text message with the signature “From Dad.”
Sean-nós (Irish for “the old way”) is a traditional style of unaccompanied singing native to Ireland. The Philadelphia Ceili Group audio collection in the Villanova University Digital Library contains a wealth of information and beautifully performed examples of this interesting and unique element of Irish culture.
Here is an introductory explanation of the craft by Irish musician and musicologist Mick Moloney, from an Irish Songs Workshop at the 3rd Annual Irish Traditional Music, Song and Dance Festival, held in Philadelphia in September 1977:
Mick Moloney, Johnny Moynihan, and Andy O’Brien are just a few of the prominent Irish artists who can be heard on recordings in the Philadelphia Ceili Group collection singing songs in the Sean-nós style. Try searching the Digital Library by subject on the term Sean-nós, and you will find a wealth of significant tracks available for streaming.
For a real treat, check out this incredible concert-length performance by traditional Irish singer Paddy Phelan, recorded at an event sponsored by the Philadelphia Ceili Group on March 6, 1992:
Calling all Irish music enthusiasts, here is a challenge for you!
The archive of traditional Irish music in the Philadelphia Ceili Group collection in Villanova University’s Digital Library is growing steadily, now featuring over 200 recordings of Irish jigs, reels, and other tunes from performances at the annual Philadelphia Ceili Group Traditional Irish Music and Dance Festival.
Posted for Lisa Abra McColl, Digital Library Intern, Fall 2012
The first thing that struck me about the papers that were being pulled out of a pile from the special collections department was the artwork. Shapes with gold and silver metallic color, green leaves, and an orange face all decorated the first pages of each of the three thin booklets.
The second thing that struck me was the Japanese writing on the front cover. The third came when I opened it. This was sheet music. My task was to find out what this music is: who is the composer, what instrument is it written for, what is the name of it? Confident that my music background would guide me through this task I set out to find the answers.
Weeks later, having played the melodies on my clarinet, searched for the melody in Musipedia, and in ultimate desperation, tried the Japan Goggles app to read some of the writing, and gotten nowhere, I knew I needed human intervention.
A former clarinet student of mine, now living in Japan answered my call for help on Facebook. These three pieces are traditional Japanese music that were arranged by a man named Tozan Nakao (1876-1955), a famous Japanese shakuhachi player. The shakuhachi is a wooden instrument similar to the western flute. The first piece, Zangetsu (the moon seen in the morning), has a publication date of 1906 and the second, Azuma-Jishi, has a 1907 date on it.
I could still use more information. Were these pieces intended to be played by the shakuhachi, or by a stringed instrument as some of the bowing markings seem to indicate? What is the meaning of “Azuma-Jishi”? What is the title of the third piece? Is there any reason that Guillame de Machaut, a 14th century French composer, should be penciled on the back of the last piece? How did this music come to be part of the special collections at Villanova? After viewing this music in the Villanova Digital Libraries World Collection, please contact me or leave a comment if you have answers to any of these questions, or something to add about the music. Feel free to email me at lisa[dot]abra[dot]mccoll[at]gmail[dot]com.