The Villanova Digital Library provides access to numerous serialized and standalone short stories through its Dime Novels And Popular Literature collection. Most authors whose works appear in these publications are now considered obscure, while many of them remain unidentified. However, the digitized collections also include stories by nineteenth- and twentieth-century writers whose works are still widely read today. Here are some lesser known stories by well-known authors that are preserved in the Villanova Digital Library:

“What It Cost” by Louisa May Alcott

Louisa May Alcott (1832-1888) is primarily remembered as a novelist. Her most widely read novel, Little Women (1868-1869), was adapted into an award-winning film as recently as 2019. A lesser known work by Alcott is “What It Cost,” which appeared as a cover story in the sixth issue of the children’s periodical, The Young Crusader. Like many stories published in The Young Crusader, “What It Cost” promotes the anti-alcohol stance of the temperance movement.

The young crusader, v. I, no. 6, February 11, 1887, p. 21.

“Heart” by James Fenimore Cooper

Like Alcott, James Fenimore Cooper (1789-1851) is mainly remembered for his novels, in particular The Last of the Mohicans (1826). His story, “Heart,” appears as a cover story in two segments in the March 13 and March 20, 1841, issues of The Boston Notion. A full transcript of the story is also available through Project Gutenberg.

Boston notion, v. II, no. 24, Saturday morning, March 13, 1841, p. [1].

“The Jolly Roger” and other stories by Robert W. Chambers

Robert W. Chamber (1965-1895) wrote the short-story collection The King in Yellow (1895), which is one of the most influential works in the history of weird fiction. The first four stories in the collection directly impacted the “Cthulhu mythos,” a literary universe shared by H. P. Lovecraft (1890-1937) (whose astronomical journal is housed at Falvey Library) and other writers of the early twentieth century. The King in Yellow continues to excite the popular imagination, having been the basis for much of the acclaimed first season of the television series True Detective. However, most of Chambers’ writing was not in the horror genre. The Villanova Digital Library offers access to parts of three stories by Chambers: “One in a Million,” “The Shining Band,” and “The Jolly Roger” (the last of which is available, in its entirety, as digitized microfilm through the Internet Archive).

“Houdini, the Enigma” and other stories by Arthur Conan Doyle

Sir Arthur Conan Doyle (1859-1870) is the creator of the fictional detective Sherlock Holmes, who appears in several stories, starting with “A Study in Scarlett” (1887). The Villanova Digital Library offers access to three works by Doyle that do not feature his famous detective: “Houdini, the Enigma,” which focuses on Harry Houdini (1874-1926), a famous magician and friend of Doyle’s; “An Alpine Pass on Ski”; and “De Profundis.”

Bonus: The Digital Library also includes one story, “The Affair of the Glenranald Bank,” by Doyle’s brother-in-law, E. W. Hornung (1866-1921). Hornung was influenced by Doyle’s work on Sherlock Holmes and created the character A. J. Raffles, a gentleman thief who is, in essence, the reverse Sherlock Holmes. The character first appeared in the short story “The Ides of March” in 1898 and the first collection of A. J. Raffles stories was subsequently published in 1899.

“Hunter Quatermain’s Story” and other stories by H. Rider Haggard

H. Rider Haggard (1856-1925) was a writer of adventure fiction, mainly remembered for creating the character Allan Quatermain. The most widely known tale featuring the character is the novel King Solomon’s Mines (1885), a reprint of which is available in the Villanova Digital Library. However, the site also includes other stories by Haggard (some of which feature Allan Quatermain), such as “Hunter Quatermain’s Story.” Allan Quatermain has continued to appear in literature since Haggard’s death, having played a central role in the comic-book series The League of Extraordinary Gentlemen (1999-2019) by Alan Moore (b. 1953) and Kevin O’Neill (1953-2022).

“The Blockhouse Mystery” and other stories by Upton Sinclair

Upton Sinclair (1878-1968) was a writer, political activist, and winner of the Pulitzer Prize for Fiction. He wrote The Jungle (1906), a novel about working conditions in the meat industry, which raised awareness of unsanitary practices and influenced the passing of the Federal Meat Inspection Act. The Villanova Digital Library preserves four stories written by Sinclair under the pseudonym Douglas Wells for The Starry Flag: “The Blockhouse Mystery, or, Hal Maynard’s Cuban Romance”; “Hal on the Outpost, or, With the Army Above Doomed Santiago”; “The Hero of Manila; or, Hal Maynard Under a New Commander”; “Hal Maynard at West Point, or, The New Member of the Seven Devils”.

All the abovementioned stories are available in the Villanova Digital Library’s Dime Novels And Popular Literature collection, while more are being added on a regular basis. The digitization project not only preserves the works of obscure writers, but also brings to light the lesser known works of well-known writers.

Note: The stories by Doyle, Haggard, and Sinclair were identified by Director of Library Technology Demian Katz.

A new exhibit is now on view at the Prince Family Veterans Resource Center in Vasey Hall. The exhibit, titled The V-12 Navy College Training Program: Villanova During World War II, showcases materials related to the V-12 training program hosted by Villanova College from 1943 to 1946.

During the second World War, Villanova’s student population significantly decreased, as numerous young men joined the armed forces. At this time, the US Navy selected Villanova, along with other institutions of higher learning, to house the V-12 Navy College Training Program. This program aimed to quickly increase the number of commissioned officers through an accelerated course of study that combined academic coursework and military training. During the years when the program was offered at Villanova, most of the college’s students were enrolled in it.

Case 1 from the new exhibit on the V-12 program at Villanova. Photo by Shawn Proctor, MFA, Communication and Marketing Program Manager.

The exhibit features reproductions of photographs, drawn from our digitized collections, that depict V-12 students training and studying. The exhibit also includes three letters written by Villanova V-12 graduate James D. Reap, Jr. to his parents during and after his participation in the training program. In his letters, Reap recounts his experience as a V-12 student and how it positively affected his career trajectory. In a letter dated February 5, 1944, Reap writes that other enlisted men “kind of respect us boys from the V-12 Unit.” The digitized letters and their full transcripts are also available through the Villanova Digital Library, along with other digitized materials from the James D. Reap, Jr. Collection. Paired with the letters is a US Navy hat worn by Reap while he participated in the Pacific Theater of World War II. (He served as a radar and communications technician aboard the USS Proteus, which was anchored near the USS Missouri when the Japanese surrender was formally signed in 1945.) Lastly, the exhibit features the 1944 and 1945 Belle Air Villanova yearbooks, which provide further information about the curriculum and leadership of the V-12 program.

Case 2 from the new exhibit on the V-12 program at Villanova. Photo by Shawn Proctor, MFA, Communication and Marketing Program Manager.

These materials come together to highlight the experiences of V-12 students and how their time at Villanova prepared them for leadership roles in the Navy, during one of the most critical moments in world history. You may view the exhibit, The V-12 Navy College Training Program: Villanova During World War II, during the spring and summer 2024 semesters at the Prince Family Veterans Resource Center in Vasey Hall!

If you are interested in additional projects that celebrate and preserve the legacies of Villanova veterans, make sure to also visit Honoring the Fallen: An Interactive Memorial Map, a Geographic Information System (GIS) map that shows where Villanova veterans died in service, as well as The Voices of Villanova’s Veterans oral history site, which includes interviews with Villanova veterans.

Distinctive Collections is pleased to announce the Richard T. Schulze congressional papers are available and open for research.

Richard Taylor “Dick” Schulze, a Republican politician, served as a member of the U.S. House of Representatives for Pennsylvania’s 5th congressional district, incorporating the counties of Delaware, Montgomery, and Chester, from 1975 to 1993. Spanning from 1974 to 1992, the collection consists of materials related to his congressional career including correspondence, public relations speeches and press releases, administrative files, legislative files, constituent files, campaign materials, and photographs.

Schulze was born in Philadelphia and graduated from Haverford High School in 1948. He attended the University of Houston, Villanova University, and Temple University. He served in the U.S. Army for two years during the Korean War. Before his time in the United States Congress, Schulze was a small businessman for twenty-five years, operating an electrical appliance business in Paoli, Pennsylvania. He was active in civic and community affairs, as well as in Republican politics in Pennsylvania, and served in the Pennsylvania House of Representatives from 1969 to 1974.

During his career in the U.S. House of Representatives, Schulze rose to serve as a top-ranking member of the House Committee on Ways and Means and as the senior Republican member on the Subcommittee on Oversight. He also served on the Trade, Social Security, and Select Revenue Subcommittees, the Armed Services Committee and Banking. The bulk of Schulze’s sponsored and cosponsored legislation was related to Taxation as well as Foreign Trade and International Finance. Much of the papers focus on topics such as trade, social security, health, oversight, and tax policy.

The papers were originally deposited with the Chester County Historical Society and transferred to Villanova University. Villanova also holds the recently acquired senatorial papers of Patrick J. Toomey. Additionally, Distinctive Collections maintains the personal papers of Lawrence M. O’Rourke, a newspaper columnist and reporter who covered the White House, Congress and national politics for forty years.

To make an appointment to view the collection please email dcde@villanova.edu. The finding aid is available to review online here to guide your research request.

Rebecca Oviedo is Distinctive Collections Archivist at Falvey Library.

The Villanova University community is cordially invited to join us on Sunday, Feb. 4 at 1:00 p.m. in Falvey Library’s Speakers’ Corner (located on the Library’s first floor) for a special luncheon being held to celebrate a a new partnership between Bethel AME Church of Ardmore and Villanova University’s Digital Library.

Villanova University’s Distinctive Collections and Digital Engagement Department (DCDE) will be working with Bethel AME Church of Ardmore’s Archives Collection Project to digitize their archival collection for the public in the Villanova University Digital Library. The collection is comprised of many unique items such as church records, photographs, and newspapers detailing the history of Bethel AME Church Ardmore and African Methodist Episcopal Church across the United States.

The digitization of the Bethel AME Church of Ardmore’s archives is currently in progress. You can view the current digitized collection in the Digital Library here.

We kindly as that those interested in joining us please RSVP by Monday, Jan. 29, by emailing Beaudry Allen (beaudry.allen@villanova.edu).

Tod Browning‘s (1880-1962) 1927 silent horror film London After Midnight has been considered lost to history since 1965, when a fire at Metro-Goldwyn-Mayer’s Vault 7 destroyed the final known copy of the movie, along with numerous other titles stored on highly flammable nitrate film reels. London After Midnight starred Leonidas Frank “Lon” Chaney (1883-1930) as Edward C. Burke, a Scotland Yard inspector who is eventually revealed to be the villainous Man in the Beaver Hat. While various stills and ephemera survive, London After Midnight remains the most sought-after lost film of the silent era. The film’s lost status has not detracted from its significant cultural impact, as is evinced in films like The Babadook (2014), whose eponymous monster is based on the villain in Browning’s film.

Poster for “London after Midnight”. Via Wikimedia Commons. Image in the Public Domain.

Materials recently added to the Villanova Digital Library offer insight into the presentation and reception of this film in our area. A review was published on Tuesday, February 7, 1928, in the Public Ledger, Philadelphia’s premier daily newspaper in the early twentieth century. The newspaper issue, along with other titles published in 1928, entered the public domain at the beginning of 2024. A microfilm copy has been preserved on the Villanova Digital Library. The article reads thus:

Public Ledger, v. 184, no. 136, Tuesday morning, February 7, 1928, p. 16.

STANLEY—The realm of the unnatural, with its objects unreal—spooks, ghosts, goblins, bats and vampires—rules supreme here in dusty, cobwebbed domains and eerie, mysterious moonlight. Everything is spooky, witches are around every corner, from the comedy in which the dusky Farina battles with the departed spirits to the murder mystery of the main feature.

Those old reliables, Lon Chaney and Tod Browning, the director, are at it again with one of their spookiest and spine-twitching melodramas, “London After Midnight.” It shows the solution of a murder, with Lon Chaney in the part of Burke, a Scotland Yard detective. But it is no ordinary solution, for few of the material forces are called in to solve the clews. Instead, there is the moon-eyed man, an old, tottering reminder of Phantom of the Opera, gruesome and weird, with a chattering smile upon its distorted features—and yes, it may be Lon Chaney, that black bat there in the corner with the luminous eyes—but we’re not telling. Chaney taps a new character as a detective, with very little make-up—but a perfect portrayal. So excellent, is his work, that one almost regrets that he was not cast in a strongly molded, logical detective yarn of the caliber of the famous Sherlock Holmes. In the supporting cast are Conrad Nagel, Marceline Day and Henry B. Walthall to add surprise.

An offering which will doubtless draw many theatre fans is presented by Donal [sic] Brian, a famous musical comedy star in his first appearance in a picture theatre. His ingratiating personality, and smooth, easy manner register nicely in the all-too-brief period assigned to him and he leaves some twinkling tunes, culled in most part from former successes, and just a few stories. Mention should be made of the dance offering done in splendid spook style to introduce the picture. It is “Dance Macabre,” by Saint-Saens.

It seems that London After Midnight played during the week of February 6, 1928, at Philadelphia’s Stanley Theatre. This theater, which existed from 1921 to 1970 on 1902-10 Market Street, showed silent films accompanied by a 55-piece orchestra. It was a popular venue that attracted celebrities of the day, such as Frank Sinatra and Abbott & Costello. (Al Capone was even arrested there the year after the premiere of London After Midnight.) It was one of two major venues in Philadelphia to show horror films, including Browning’s most famous work: Dracula (1931) starring Bela Lugosi (1882-1956), which is available in DVD format at Falvey Library. According to the 1928 Public Ledger article, as well as this article published on the same day in The Philadelphia Inquirer, the screening of London After Midnight at the Stanley Theatre was introduced by Broadway star Donald Brian (1877-1948), who performed excerpts from his previous roles.

The Suburban (Wayne Times Edition), v. 43, no. 35, March 23, 1928, p. 3.

The Suburban (Wayne Times Edition), v. 41, no. 46, June 11, 1926, p. 3.

The following month, the film would be shown at another local theater. An advertisement in The Suburban and Wayne Times, published on March 23, 1928, informs us that London After Midnight played at Bryn Mawr’s Seville Theatre from March 26 to March 28. Decades later, the Seville Theatre would become the Bryn Mawr Film Institute, which still operates in the same historic building that has stood since 1926. As numerous advertisements in The Suburban and Wayne Times attest, the Seville Theatre regularly showed films starring Lon Chaney during the 1920s, including The Phantom of the Opera (1925), which is compared to London After Midnight in the aforementioned Public Ledger article.

Browning eventually remade London After Midnight as a “talkie” starring Lugosi, titled Mark of the Vampire (1935). In 2003, Turner Classic Movies released a reconstruction of the 1927 film using extant stills as part of the Lon Chaney Collection, available through inter-library loan. Nonetheless, decades after the MGM Vault 7 fire, Browning’s original film remains lost. It was screened in at least two theaters in our area, and one of these showings included a live performance by a major Broadway star of the day. London After Midnight was commercially successful and remains culturally significant, but that did not stop it from disappearing. The afterlife of this film demonstrates how easily cultural production can become lost to history. It speaks to a larger need for preservation, especially preservation of media whose storage and access are dependent on ever-evolving technologies like film.

Nova Nation—Thank you for stopping by Distinctive Collections and Digital Engagement‘s (DCDE) annual Halloween event on Tuesday, Oct. 31, in Speakers’ Corner! It was fun telling Villanova ghost stories and sharing some of DCDE collections’ spookiest items. For more on this eerie event, check out Preservation & Digital Archivist Beaudry Allen’s blog post.

Thank you to all the students and staff that attended DCDE’s annual Halloween event on Tuesday! Each year DCDE opens our deepest darkest vault to unveil our spookiest material as well as bring some levity to your day’s studies in Falvey.

Many treats, from candy to pizza, were available to Halloween revelers to enjoy. In addition, DCDE had wooden block prints created by our DCDE coordinator, Mike Sgier, available for people to take home.

A print demonstration was done at the event and intended to highlight the type of printing done for some of the bibles on display in the our new exhibit, Divine Inspiration: Revealing the Sacred in Biblical Texts and Imagery.

This year was a return of our Haunted Villanova Map with attendees placing stickers on places at Villanova they think are eerie or know of a good ghost story. Alumni Hall, Tolentine Hall, Middleton Hall, and Falvey Library seemed to be the spookiest places on campus lately.

And as we do every year we had on display some of DCDE collections’ spookiest and fantastical items. These items illustrate the discourse around the unexplained in the past or what was considered popular stories of ghosts, monsters, etc.

Always a fan favorite is  hand drawn jack-o-lanterns of Halloween letter from 1925, which demonstrates how Halloween was celebrated in the past.

On display and available to see by appointment in Special Collections:

Irish Witchcraft and Demonology from the McGarrity Collection

Letter, To: “Dear Papa” From: Catherine Meave McGarrity, October 22, 1925 from the McGarrity Collection

Issues from Weird Tales from our Dime Novel Collection

The Amateur’s Guide to Magic and Mystery and the Black Art: Fully Exposed

Join Falvey Library’s Distinctive Collections and Digital Engagement staff for “Tricks and Treats from the Vault” on Tuesday, Oct. 31, from 12-2 p.m. Visitors can view spooky highlights from the collections in Speakers’ Corner and enjoy ghostly activities and treats. We’ll have tarot readings, ink blocking, and a haunted Villanova map. This event, sponsored by Falvey Library, is free and open to the public.