In this book, Hawley is sent on a mission by the president of the United States to investigate rumors that a former president of a South American country has been illegally imprisoned by his successor. His mission is made more complicated by government spies, a growing revolution, and the appearance of an old rival. Fortunately, he also finds aid from a variety of allies….
As always, if you’d like to learn more, you can find the entire book available for free online reading, or for download in popular eBook formats, through the Project Gutenberg website.
My case in “Poetic License: Seven Curators’ Poetry Selections from Distinctive Collections” highlights an unexpected interconnection between two different parts of Falvey Library’s Special Collections by featuring a poet whose work appears in both our Popular Literature and Irish Literature collections.
Sarah M. B. Piatt was an American poet whose long career began in the mid-19th century and lasted into the early 20th century. She gained prominence in her late teens, with her early work appearing in widely circulated newspapers and story papers under the name Sallie M. Bryan. After her marriage in 1861 to fellow poet John James Piatt, she published more than a dozen volumes of poetry in book form. Although she was well-known during her own lifetime, she sank into obscurity for most of the 20th century as poetic tastes changed, only resurfacing in the 1990’s when she was rediscovered as part of the growing movement to reassess the scope of the literary canon and recover forgotten women writers.
Piatt demonstrated great flexibility as a poet, writing poems that could appeal equally to multiple audiences, including children as well as adults. Her lasting success during her lifetime demonstrates her accessibility to casual readers of popular periodicals, but her work also rewards re-reading and careful analysis. Her poems, which often incorporate multiple voices and perspectives, comment directly or indirectly on social and poetic conventions. Her use of irony to contrast surface meanings with deeper intentions makes many of her poems particularly appealing to modern readers, who may be more attuned to this mode of expression than her 19th century contemporaries were. For one particularly striking example from Piatt’s work, take a look at “Giving Back the Flower.”
The New York Ledger, v. XVII, no. 4. New York: Robert Bonner, March 30, 1861.
The New York Ledger
Story papers were one of the leading forms of home entertainment for much of the 19th century. Resembling a newspaper but containing a mix of serial installments of novels, short stories, poems, household advice, humor, and sometimes even games or puzzles, these publications provided weekly or monthly doses of entertainment for millions of American readers. One of the most successful and influential story papers was Robert Bonner’s New York Ledger, which began publication in 1855 and ran for almost fifty years.
The New York Ledger relied heavily on recurring contributors to fill its pages every week, and these writers gained celebrity as a result of their frequent appearances in the widely-circulated paper. Sallie M. Bryan was one such celebrity poet, contributing works frequently during the early years of the Ledger. Several issues containing her work can be found in Villanova’s collection of New York Ledger issues, available online.
The Sarah Piatt Recovery Project at Ohio State University has collected many of Piatt’s New York Ledger poems in an online archive. The process of preparing this exhibit led to the rediscovery of a Piatt poem, “The Dove and the Angel,” in the March 30, 1861 issue, which had not been previously identified by OSU’s project.
An Irish Garland
Long after she had moved on from story paper contributions, Sarah Piatt and her family lived in Ireland for well over a decade (1882-1893) as a consequence of her husband’s appointment as a United States consul. During this time, she had opportunities for travel and to become part of the local literary community. Piatt’s Irish years produced a significant number of new poems. Most of her published volumes saw first printings published abroad. One such volume was An Irish Garland, first published by David Douglas in Edinburgh in 1884, then reprinted for American audiences in an edition found in Falvey Library’s Joseph McGarrity Collection of works about and associated with Ireland. The full book has been digitized and can be read online in its entirety.
Further Resources
If you would like to take a deeper dive into the life and work of Sarah Piatt, you might enjoy the Discovering Sarah Piatt: America’s Lost Great Writer podcast, hosted by Ohio State University’s Elizabeth Renker, to whom this exhibit and blog post owe a debt of gratitude for valuable input provided.
Like our earlier Collins release, Her Dark Inheritance, much of the plot revolves around a buried secret from the past. In this case, the titular heroine’s mother is a victim of blackmail by a villain who wishes to marry her (or her daughter) in order to gain access to the family’s considerable wealth. This setup leads to many of the familiar story paper tropes: jealousy and misunderstandings between lovers, apparent deaths and subsequent resurrections, abuse of insane asylums, a clever detective hot on the trail, etc., etc.
If you’d like to check it out for yourself, the entire book can be read online or downloaded in popular eBook formats through Project Gutenberg.
The Safety First Club Fights Fire follows the continuing adventures of high school student Sam Parker, his mentor Lon Gates, and his friends in the “Safety First Club.” The book’s title rather gives away its finale, but along the way, the boys also find themselves on the wrong end of school politics, and take some time to work on a rather ambitious project involving a high-powered motor. Readers who enjoyed the first two books will find more of the same here, though some parts of this book feel a bit more episodic and disjointed than the previous volumes.
The full text can be read online or downloaded in popular eBook formats through Project Gutenberg.
The novel follows the misadventures of Eva Somerville, a young, orphaned West Virginia girl who lives with her grandfather, who needs constant attention due to a wound received during the Civil War, and several other family members he has taken under his roof. One Halloween night, a prank incited by her selfish older cousins leads to a tragedy, turning her family against her and driving her temporarily insane. From here, twists and turns in Mrs. Miller’s usual style proceed.
In addition to being a good example of its author’s style and the period’s standards for over-the-top entertainment-oriented reading, the book is interesting for several reasons. Like many of Mrs. Miller’s novels, much of the story is set in West Virginia, where the author spent much of her life, and it occasionally offers glimpses of the region’s places, traditions and politics. The book also contains an interesting portrayal of mental health care, which is very much “of the period” and certainly not realistic, but which depicts a workplace populated by human beings and troubled by real-life problems (including sexual harassment) rather than the usual stereotypical house of horrors. On a note less flattering to the author’s legacy, the novel’s eventual happy ending casually relies on the period’s anti-Irish prejudices in a way likely to startle the modern reader.
If you would like to see this all for yourself, the entire book can be read online or downloaded in popular eBook formats through Project Gutenberg.
A couple of years ago, the Distributed Proofreaders project released a Project Gutenberg eBook of The Safety First Club and the Flood, using images from our Digital Library. That book was the middle part of a trilogy of early 20th-century juvenile novels by William Theophilus Nichols, and since that time, we have tracked down and digitized the other two volumes. The debut volume, called simply The Safety First Club, has now joined its sequel as a free online eBook. The final book is coming soon.
In this first novel, Sam Parker, the leader of a club of high-school age boys devotes himself to the cause of “safety first” after a potentially fatal hunting accident. He tries to apply this philosophy (with varying degrees of success) to his rivalry with fellow student Tom Orkney, a series of mysterious acts of vandalism, and a dangerous forest expedition during a blizzard.
Like its sequel, the book is fairly transparent in its efforts to teach positive lessons to young readers, but it also contains enough character and incident to avoid falling into the blandest category of didactic literature.
If you want to try the whole book for yourself, you can read it online (or download it in popular eBook formats) through Project Gutenberg.
The book is a coming of age story, following the titular Kwasa as he must leave behind childhood games to take on difficult challenges for the sake of his people. One might expect a book from this era to present either a condescending or romanticized view of Native American life, but Grimes takes the approach of depicting her characters as regular, identifiable people who happen to be living in a different historical context. She also manages to balance the jobs of conveying historical information and telling a story about as well as could be hoped for in this type of book. Of course, the text is unlikely to fully live up to 21st century standards, if only because historical understanding has moved on in the century since it was written, but it is an interesting effort for its time, and it is certainly possible to imagine its original intended audience enjoying it.
You can find the full text of the book at Project Gutenberg, where it can be read online or downloaded in popular eBook formats.
To an even greater extent than the earlier Pretty Geraldine, the novel is set in and around Alderson, West Virginia, Mrs. Miller’s home town for the majority of her writing career. Another personal touch is the way in which the narrative reflects its author’s love of poetry: much of the story here is structured around poems by Dante Gabriel Rossetti, including “Youth’s Antiphony” and “Chimes” (though none of the quoted poetry is attributed).
The book also serves as another example of its author’s interest in incorporating contemporary scientific developments into her fiction (such as x-rays in Dainty’s Cruel Rivals or blood transfusions in Kathleen’s Diamonds). One of the novel’s characters is interested in alchemical pursuits such as the transmutation of lead into gold, and his cruelty is driven by a single-minded desire to acquire enough money “to purchase the smallest specimen of a newly discovered mineral called radium, to which was ascribed the most remarkable properties ever heard of.” The fact that he works in a stone tower with the help of a hunchbacked assistant also anticipates mad scientist clichés that would persist throughout the 20th century.
If you’re interested in learning more, the entire book is available for free online reading, or download in popular eBook formats, through Project Gutenberg.
This book is a collection of jokes (such as: “Why is a dog biting his own tail like a good manager? Because he makes both ends meet.”) and puzzles (including both word games and math problems). As is typical for this series, a variety of advertisements are woven in with the other content. Given that a lot of assumptions and conventions have changed since 1895, the modern reader is unlikely to find most of the jokes funny, or to understand all of the puzzles; however, a certain amount of the content still seems to work as originally intended. In any case, it offers a glimpse into 19th-century diversions.
You can read the entire book online (or download it in popular eBook formats) through Project Gutenberg.
The novel follows Morris Goldberg, a Jewish immigrant who works as a shoemaker in New York until his daughter is kidnapped, forcing him to travel west in search of her. Along the way, he survives some “fish out of water” situations, and his kindness and persistence inspire those around him.
This book marks a striking contrast to the previous book released from the same series, The Shadows of a Great City. While that book featured a one-dimensional villain in the form of the familiar antisemitic stereotype of the evil Jewish pawnbroker, this story features a cast of sympathetic Jewish characters who are portrayed in an almost entirely positive light (particularly by the standards of turn-of-the-20th century melodrama).
You can read the entire book online, or download it in popular eBook formats, through Project Gutenberg.
