FALVEY MEMORIAL LIBRARY



You are exploring: VU > Library > Blogs > Philosophy

5th Summer School UQAM (Montréal) – Web Science and the Mind

  • Posted by: Georg Theiner
  • Posted Date: April 5, 2014
  • Filed Under: Conferences, Events

The Fifth Summer School in Cognitive Sciences : Web Science and the Mind.
Organized by the UQAM Cognitive Science Institute in Montréal (Canada), from July 7th to 18th.

Theme of the Summer Institute: Web Science and the Mind.
This summer school will present a comprehensive overview of the interactions between the web and cognitive sciences, with topics ranging from social network analysis to distributed cognition and semantic web.

The Summer School will feature a poster session.
Information about this poster session is available at:
http://www.summer14.isc.uqam.ca/page/affiche.php
Deadline: April 11th 2014

Registration for the Summer School is open (”Early Bird” Registration fees until May 9th).

Note that the lowest fee is for students that will attend the Summer School as a credited activity (worth 3 university credits). Details:
http://www.summer14.isc.uqam.ca/page/inscription.php

Scholarships
Scholarships for travel, accomodation and/or registration will be available for students registered in a Quebec University (CREPUQ).
http://www.summer14.isc.uqam.ca/page/bourses.php

Want to stay in touch? Follow us on Twitter! @iscUQAM

We hope to see you there in July.

 

 

Like

CFA: Pittsburgh Summer Symposium in Contemporary Philosophy

Pittsburgh Summer Symposium in Contemporary Philosophy

Duquesne University

Dept. of Philosophy

Pittsburgh, PA

Call for Applications

We are pleased to announce the 2014 Pittsburgh Summer Symposium in Contemporary Philosophy, held at Duquesne University. Details for the program are as follows:

 

Formalism and the Real: Ontology, Politics, and the Subject

 

August 4 – 8, 2014

(Optional Participants’ Conference, August 2-3)

“The real can only be inscribed on the basis of an impasse of formalization.”

— Jacques Lacan, Seminar XX

 

“We need a theory of the pass of the real, in the breach opened up by formalization. Here, the real is no longer only what can be lacking from its place, but what passes through by force.”

— Alain Badiou, Theory of the Subject

 

Seminar Leaders:

Prof. Bruno Bosteels (Cornell University)

Prof. Tom Eyers (Duquesne University)

Prof. Paul Livingston (University of New Mexico)

 

Course Description:

Philosophy in the twenty-first century has seen an extensive reconsideration of formalistic methodologies and theoretical structures. This is heavily influenced by the formalism developed by a number of mid-twentieth century French thinkers who rejected humanist philosophies of experience or consciousness typified by dominant forms of existentialism and phenomenology. Insights derived from Marxism, Freudianism, and philosophy of science were argued to undermine central tenets of the latter, including the priority of description and the emphasis on first-person experiences. Rather, stress was placed on the priority of construction, an emphasis on the concept, and a rethinking of the nature of knowledge and the object of science.

 

The recent history of formalist approaches is framed in important ways by Louis Althusser and Jacques Lacan. As is well known, Althusser rejected historicist and humanist readings of Marx in favor of a structuralist approach, which was amenable to the conception of science developed by thinkers like Jean Cavaillès, Gaston Bachelard, and Georges Canguilhem. Simultaneously, Lacan rejected ego-psychological readings of Freud, forming interpretive, theoretical, and clinical bases for psychoanalysis that drew on Ferdinand de Saussure’s structuralist linguistics and Claude Levi-Strauss’s structuralist anthropology. This led him to a methodological formalism, particularly when addressing the Real and the psycho-dynamics in which it is involved. The presence of Althusser and Lacan at the École Normale Supériere during this time formed the intellectual milieu in which students such as Alain Badiou, Jacques-Alain Miller, Étienne Balibar, and Jacques Rancière would begin to develop their own thought. An important forum for this was the journal the Cahiers pour l’Analyse (1966-69). The current project to translate it into English has prompted a surge in research related to these themes. In the Cahiers, efforts were made to reconcile Marxist politics with a Lacanian account of the subject. Lacan’s notion of the Real was essential to this and, along with the other elements of his thought, came to be developed by Badiou to address political and ontological domains.

 

More recently, formalism in philosophy has expanded to address issues beyond these origins. For instance, formalistic reconstructions of Heideggerian and Husserlian thought have proved intensely productive and have problematized the opposition of philosophies of the concept to phenomenological philosophies. Moreover, recent efforts to address questions in aesthetics and politics with formal approaches has further expanded the boundaries of formalism’s theoretical scope. Paul Livingston’s book, The Politics of Logic: Badiou, Wittgenstein, and the Consequences of Formalism, examines the landscape of political criticism and change given the results and paradoxes of 20th century projects of formalization in mathematics and logic. Following this, his current project focuses on Heidegger’s philosophy, and will reexamine our inherited notions of sense and truth. After writing a book on Lacan’s concept of the Real, Tom Eyers has analyzed the intellectual foundations of structuralism in 1930s and 1940s French epistemology and philosophy of science. He is presently writing a book entitled Speculative Formalism: The Poetics of Form in Literature, Science, and Philosophy which will bring that work to bear on poetics and literary theory. In addition to translating Badiou’s Theory of the Subject and Wittgenstein’s Antiphilosophy, Bruno Bosteels has devoted numerous books to Badiou and issues in political thought. In his recent Marx and Freud in Latin America: Politics, Psychoanalysis, and Religion in Times of Terror, Bosteels investigates ways art and literature provide insight into processes of subjectification at the core of Marxist and psychoanalytic concerns.

 

This summer symposium will bring together interested graduate students, postdoctoral students, and junior faculty for a week of discussion, lecture, and close textual study. Together, we will pursue questions regarding formalism and its relation to the Real in contemporary ontology, politics, and theories of the subject and their consequences for understanding knowledge, history, state, language, art, and literature. Lacanian and Badiouian thought will form a key theoretical backdrop. Yet, we expect our studies will include work by a number of other figures, including Plato, Marx, Nietzsche, Frege, Freud, Heidegger, Wittgenstein, Lautman, Bachelard, Canguilhem, Althusser, Deleuze, Derrida, Macherey, Miller, Butler, Jameson, Žižek, Hägglund, and Malabou.

 

All texts and discussion will be in English.

 

Application:

We invite current graduate students, postdoctoral students, and junior faculty in philosophy or related disciplines to submit an application composed of a C.V. and a short letter of intent (500 words maximum) to pghsummersymposium2014@gmail.com. The deadline for applications is Friday, April 25th, 2014. We expect to respond with notifications regarding acceptance to the symposium by Thursday, May 1st, 2014 to help facilitate summer plans. The seminar will be limited to 30-40 participants. For more information as it becomes available, we have created a website for the symposium: http://pghsummersymposium6.wix.com/pghsummersymp2014

 

Participants’ Conference (August 2-3):

In order to facilitate a further exchange of ideas and research, a participants’ conference will be held the weekend before the seminar begins. Applicants who receive notice of acceptance as participants will be asked – if interested – to submit an abstract of up to 500 words on any theme related to the topic of the seminar. The participants’ conference will take place on Saturday and Sunday, August 2-3, 2014.

 

Financial Information:

There will be a $200 registration fee for each participant of the seminar. This money will be used for event expenses like a conference dinner, celebration, daily coffee, etc. Please note that participants will be responsible for arranging their own housing as well as financing most of their own meals for the duration of the symposium. However, with respect to lodging, we expect a limited number of arrangements with graduate students will be available on a first come, first serve basis.

 

Organizers:

 

James Bahoh

Dept. of Philosophy

Duquesne University

bahohj@duq.edu

Martin Krahn

Dept. of Philosophy

Duquesne University

krahnm@duq.edu

Jacob Greenstine

Dept. of Philosophy

Duquesne University

greenstinea@duq.edu

Dave Mesing

Dept. of Philosophy

Villanova University

dmesing@villanova.edu

 

 

 

 

Like

PhD Summer School, The Regulative Capacity of Knowledge Objects

  • Posted by: Georg Theiner
  • Posted Date: March 1, 2014
  • Filed Under: Conferences, Events

The Post‐Graduate Program in Philosophy, Science and Values (University of the Basque Country UPV/EHU, and National Autonomous University of Mexico, UNAM) and the Institute for Technology Assessment and Systems Analysis (Karlsruhe Institute of Technology) invite PhD students to apply for the interdisciplinary and international Summer School:

The Regulative Capacity of Knowledge Objects: Opening the Black Box of Knowledge Governance

Think of Climate Change, Wikileaks, nanotechnology, Responsible Innovation, neural implants, Linux, GMOs or the German Energy Transition. But when we think about it, do they actually exist? And if they do what should they be like in the future? What exactly are they? Are they symbols, technical artifacts, discourses, constellations of actors, scientific disputes? Are they political issues, societal problems, human-nonhuman-hybrids, modifiers of existence, problems for governance and regulation? In a way, they are all of these things and less – and probably more.

They are what this Summer School refers to as “knowledge objects”. These objects are peculiar, blurry, constantly unfolding and transforming entities that increasingly challenge contemporary societies and sciences and our understanding of knowledge. The knowledge in knowledge objects is always plural: scientific, public, mundane, interdisciplinary, speculative, uncertain. It is heterogeneously produced about, with, through or in them and contributes to their identification, contestation and transformation.

Yet, knowledge objects are also enablers of such knowledge productions and the societal controversies that go along with them. This intricate entanglement of knowledge objects and society poses various normative and regulative questions – which are part of these objects and due to them the problems societies face. This entanglement could be viewed as a fundamental challenge for knowledge governance. To address these complex challenges to societies and sciences, the Summer School aims to bring together two strands of science and technology studies (STS) which so far haven’t combined: the focus on “knowledge objects” and the perspective of “knowledge governance”.

The starting point of this summer school is the assumption that knowledge objects are subject and object of knowledge governance. They create the need for and they enable various forms of knowledge governance. In a way, this synchrony is a black box of knowledge governance. The Summer School proposes that this “governance black box” can be opened by focusing on an extended concept of knowledge objects and by analyzing their governance dimensions.

Keynotes by:
David Guston, PhD, Professor of Political Science, Arizona State University, US
Graham Harman, PhD, Professor of Philosophy, American University, Cairo, Egypt
Karin Knorr-Cetina, PhD, Professor emeritus of Sociology, University of Constance, Germany, and George
Wells Beadle Distinguished Service Professor, University of Chicago, US
Noortje Marres, PhD, Senior Lecturer, Goldsmiths University of London, UK

Applications are due by 28th March 2014.

Find out all the details at: http://www.itas.kit.edu/english/events_2014_summerschool.php

Like

Summer School on “The Neurobiology of Emotions and Feelings” with António Damasió

The Forum Scientiarum of the University of Tübingen, Germany, is organizing a one-week International Interdisciplinary Summer School on “The Neurobiology of Emotions and Feelings” with António Damasió and Sabine Döring.

Time: June 2nd –  June 6th, 2014.

For further information please see http://www.unseld-lectures.de/cfa

Call for applications: UL2014_Call4Applications.

Deadline for the receipt of complete applications (application form,  CV, essay) is February 31th, 2014.

Like

Oxford Internet Institute: Summer Doctoral Program 2014

  • Posted by: Georg Theiner
  • Posted Date: February 11, 2014
  • Filed Under: Events

We are delighted to announce that the twelfth Oxford Internet Institute (OII) Summer Doctoral Programme (SDP) will be held at the OII from 7-18 July 2014.

The aim of the program is to bring together up to 30 advanced doctoral students engaged in dissertation research relating to the Internet and other ICTs. By sharing their work and learning from leading academics in the field, students can enhance the quality and significance of their thesis research and create a peer network of excellent young researchers. There will also be an opportunity to connect with alumni from previous years, ensuring that the benefits of the OII SDP network are passed on to this year’s cohort.

The 2014 Summer Doctoral Programme will build upon the research strengths of the OII, involving many of our Fellows from across multiple disciplines as well as bringing in guest speakers from a variety of institutions. It will emphasize methodological innovation and good practice in research design, and will expose students to the benefits of discussing their research in a multi-disciplinary teaching environment. The overall aims are to help improve students’ dissertations and to develop a cohesive peer network for future collaboration and support.

For further information on this year’s SDP, including application instructions, please see our website.

Here you can find more general info, the SDP blog and a great video by the 2013 crowd.

If you have any questions, feel free to e-mail: victoria.nash@oii.ox.ac.uk

Like

Chris Marker Events at Slought

  • Posted by: Gabriel Rockhill
  • Posted Date: March 1, 2013
  • Filed Under: Events
Ciné-Cat: Marking the City
Stop going to see films and make a film of the city!

Wednesday, March 06, 2013; 6:30-8:00pm
at Slought, 4017 Walnut Street

http://slought.org/content/11511/

Slought Foundation is pleased to announce Ciné-Cat: Marking the City, a street art project across Philadelphia beginning in March 2013. In the film The Case of the Grinning Cat (2004), Chris Marker becomes intrigued by the sudden appearance of painted grinning yellow cats on the streets of Paris. Documentation of these images and personal commentary throughout the film are joined by discussion of political events of the time.

Join us for a public workshop at Slought on Wednesday March 6th from 6:30-8pm to make meaning of the grinning yellow cat. The workshop, led by Slought Fellow Rachel Heidenry, will begin with a brief discussion of Chris Marker’s work, followed by an overview of street art practices and hands-on stenciling demonstrations. Templates and supplies will be provided in the workshop. Following the workshop, participants will be invited to add their grinning cat to Philadelphia’s built landscape.

Rules for Ciné-Cat Participants
- Be creative. The templates are only guides. We encourage you to adapt the grinning cats to your individual style and medium.
- Please document your street art creations and send us your grinning cats at: info@sloughtfoundation.org
- All public works must be executed in adherence to the City of Philadelphia laws.
- We encourage the use of non-permanent materials, such as chalk, removable spray, washable paint, and tape when creating in public places.
- Permanent materials, such as industrial paints and aerosol sprays, may only be used on condemned structures or with formal consent of property owners.
- Slought and its affiliates are not responsible for any participant who does not adhere to these rules or the law.
- Celebrate Chris Marker!

Recommended Street Art Templates
Grinning Cats Template #1
Grinning Cats Template #2

Agnès Varda in Philadelphia
in conversation with Molly Nesbit

Wednesday, March 13, 2013; 6:00-7:30pm
at Meyerson Hall B1, University of Pennsylvania

http://slought.org/content/11514/

Slought is pleased to announce a public conversation with Agnès Varda and Molly Nesbit on March 13, 2013 from 6-7:30pm in Meyerson Hall at the University of Pennsylvania (210 S. 34th St).

Agnès Varda is one of the leading filmmakers of our time. Her self-funded debut, the 1956 fiction-documentary hybrid La Pointe Courte is often considered the unofficial first New Wave film. In 1962, she released the seminal nouvelle vague film Cléo from 5 to 7. Over the coming decades, Varda became a force in art cinema, conceiving many of her films as political and feminist statements, and using a radical objectivity to create her unforgettable characters. She describes her style as cinécriture, and it can be seen in audacious fictions like Le bonheur andVagabond as well as revealing autobiographical documentaries like The Gleaners and I and The Beaches of Agnès.

Molly Nesbit is Chair and Professor in the Department of Art at Vassar College as well as a contributing editor ofArtforum. Since 2002, together with Hans Ulrich Obrist and Rirkrit Tiravanija, she has tri-curated Utopia Station, an ongoing book, exhibition, seminar, website and street project.

This program is made possible thanks to the generous support of University of Pennsylvania’s Cinema Studies Program, Department of Fine Arts, Emily and Jerry Spiegel Fund to Support Contemporary Culture and Visual Art, Slought Foundation, and Temple University’s Department of Film and Media Arts. Additional support has been provided by University of Pennsylvania’s Department of French Studies, Department of English, Penn Humanities Forum, and School of Arts and Sciences. We also acknowledge the collaboration of the International House of Philadelphia and Scribe Video Center.

Jointly organized by Nora M. Alter, Timothy Corrigan, Nicola Gentili, Aaron Levy, and Jean-Michel Rabaté.

Total Installation, Public Project
Ilya and Emilia Kabakov in Conversation

Thursday, March 14, 2013; 5:30-7:00pm
at Slought, 4017 Walnut Street

http://slought.org/content/11516/

Slought Foundation is pleased to announce Total Installation, Public Project: Ilya and Emilia Kabakov in Conversation, a public conversation with artists Ilya and Emilia Kabakov, on Thursday, March 14, 2013 from 5:30-7pm. The event will be introduced and moderated by Matthew Jesse Jackson, and has been organized by Kevin M.F. Platt and Christine Poggi.

Ilya and Emilia Kabakov create large-scale environments, “total installations,” that orchestrate elements of the Everyday within an atmosphere of the Extraordinary. While rooted in their experience of life in the Soviet Union, the Kabakovs’ art strives to reach a plane of transcultural significance, to penetrate to the core of the desires and fears that mold our present world. An ever-changing, ambitious project designed to reintegrate contemporary art into the public imagination, the Kabakovs’ art challenges its viewers to become utopians without any allegiance to any utopia.

Ilya Kabakov was born in Dnepropetrovsk, Soviet Union, in 1933. He studied art in Moscow, and began his career as a children’s book illustrator during the 1950′s. He was part of a group of Conceptual artists in Moscow who worked outside the official Soviet art system. In 1985 he received his first solo show exhibition at Dina Vierny Gallery, Paris, and he moved to the West two years later. His installations speak as much about conditions in post-Stalinist Russia as they do about the human condition universally. Emilia Kabakov (nee Kanevsky) was born in Dnepropetrovsk, Soviet Union, in 1945. She studied in Irkutsk and Moscow, immigrating to Israel in 1973, and moved to New York in 1975, where she worked as a curator and art dealer. In 1988, Ilya and Emilia began their collaborative projects together. Their work has been shown in such venues as the Museum of Modern Art, the Hirshhorn Museum in Washington DC, the Stedelijk Museum in Amsterdam, Documenta IX, at the Whitney Biennial in 1997 and the State Hermitage Museum in St. Petersburg among others. In 1993 they represented Russia at the 45th Venice Biennale with their installation The Red Pavilion. This program is made possible in part through the generous support of the Sachs Programming Fund and the Departments of the History of Art and Slavic Languages and Literatures at the University of Pennsylvania.

Things That Quicken the Heart- 
Chris Marker: A Symposium

Friday, March 15 to Saturday, March 16, 2013
at Slought, 4017 Walnut Street

http://slought.org/content/11510/

Slought Foundation is pleased to announce Things That Quicken the Heart- Chris Marker: a Symposiumon March 15-16, 2013.

Organized by the Department of Film and Media Arts at Temple University, the Cinema Studies Program at the University of Pennsylvania, and Slought Foundation, the symposium will explore the work of the late French filmmaker Chris Marker, who passed away in July 2012 at the age of 91 and is widely acknowledged as one of the most prolific and inventive media artists in the history of cinema. Working continually since the 1940s, Marker directed some of the most important films in the history of world cinema, including La jetée (1962), A Grin without a Cat (1997), Sans Soleil (1982), and multi-media projects Level 5 (1996) and Immemory (1998, 2008).

The symposium will feature a variety of speakers in conversation, including Agnès Varda, Raymond Bellour, Bill Horrigan, Sam Di Iorio, Lynne Sachs, Hito Steyerl, Renée Green, Dominique Blüher, Rick Warner, Christa Blümlinger, and Gertrud Koch.

It will be accompanied by an exhibition of photographs by Chris Marker documenting political protests and friends who shared Marker’s political leanings (Courtesy of Mari and Peter Shaw).

Symposium Schedule

Reservations recommended but not required:
http://chrismarker.eventbrite.com/

Friday, March 15th, 2013 
Panel 1: Cats
Marker Forever

Opening Remarks by Nora M. Alter and Timothy Corrigan
Moderated by Molly Nesbit; Presentations by Raymond Bellour and Agnès Varda
5:30-7pm
Reception to follow

Saturday, March 16th, 2013 
Panel 2: Elephants
An Auteur without an Image: Marker in History

Moderated by Louis Massiah; Presentations by Dominique Blüher, Sam Di Iorio, and Rick Warner
10-12pm 

Panel 3: Owls
Remembrance of Films to Come: Marker and Future Media

Moderated by Timothy Corrigan; Presentations by Christa Blümlinger, Gertrud Koch, and Bill Horrigan
1:30-3:30pm 

Panel 4: Wolves
The Cinema Rolls On: Filmmakers Under the Influence

Moderated by Rea Tajiri; Presentations by Renée Green, Lynne Sachs, Hito Steyerl
4-6pm

Other Screenings and Events

March 14, 1-4pm at Scribe Video Center (4212 Chestnut Street, 3rd Fl)
Master class with Agnès Varda

March 16, 5pm at International House, 3701 Chestnut St
Screenings of Chris Marker’s Early Collaborations:
Walerian Borowczyk, Les Astronautes (1959, 12 min)
Alain Resnais and Chris Marker, Toute la mémoire du monde (1956, 21 min, French w/ English subtitles)
Alain Resnais and Chris Marker, Les Statues meurent aussi (1953, 30 min, French w/ English subtitles)
Alain Resnais, Night and Fog – Nuit et brouillard (1955, 31 min, French w/ English subtitles)


Acknowledgements

This program is made possible thanks to the generous support of University of Pennsylvania’s Cinema Studies Program, Department of Fine Arts, Emily and Jerry Spiegel Fund to Support Contemporary Culture and Visual Art, Slought Foundation, and Temple University’s Department of Film and Media Arts. Additional support has been provided by University of Pennsylvania’s Department of French Studies, Department of English, Penn Humanities Forum, and School of Arts and Sciences. We also acknowledge the collaboration of the International House of Philadelphia and Scribe Video Center.

Jointly organized by Nora M. Alter, Timothy Corrigan, Nicola Gentili, Aaron Levy, and Jean-Michel Rabaté.

Slought
Slought.org

4017 Walnut Street, Philadelphia PA 19104
Tel: 215.701.4627
Fax: 215.764.5783

Like

 


Last Modified: March 1, 2013