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‘Caturday: Impatient Pets

We’ve crossed over the midsummer mark, and most school-aged children have been off from school for a few weeks. What are your little Wildcats doing this summer? YMCA camp? Traveling with the family? Having fun with friends at the community pool? Do they have chores to do?

I hope they aren’t tempted to follow this young lady’s example.

Girl feeding cat and dog salami

“Don’t be impatient, children!”

Trade card featuring a girl feeding salami to a dog and cat, given with Frank Leslie’s “Chimney Corner”, from the Villanova Digital Library Dime Novel and Popular Literature collection.


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Now on Display: Sinking of the Lusitania Special Collections Exhibit

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The RMS Lusitania, designed to be the fastest ocean liner in service, was launched in Sept. 1907. Owned by the Cunard Line, Ltd., her maiden voyage was from Liverpool, England, to New York. Her 68,000 horse-power engines allowed the Lusitania to travel at an average speed of over 25 knots per hour (28.8 miles per hour). That same year the top speed for a Model T Ford was about 45 miles per hour; a Stutz Bearcat had a top speed of 85 miles per hour. For comparison, by 1969 the Queen Elizabeth, another large Cunard luxury liner, had a maximum sustained speed of 28.5 knots (32.8 miles per hour).

In 1913, with war clouds looming, the Lusitania was sent to dry dock to be fitted for government service: ammunition magazines and hidden gun mounts were installed on her decks.
On May 1, 1915, the Lusitania, captained by William Turner, left New York bound for Liverpool on what became her last voyage. Although the German embassy had placed advertisements in New York newspapers warning that any ship sailing into the “European War Zone” might be attacked by German submarines, the Lusitania nevertheless sailed, carrying 1,264 passengers, including 124 children and infants, and 693 crew members.

At 2:10 p.m. on May 7 a German submarine, U-20 captained by Walter Schwieger, torpedoed the Lusitania as she cruised eight miles off the coast of Ireland. After the torpedo hit, a second, larger explosion quickly followed, and within eighteen minutes the Lusitania sank. Schweiger said in his log, “… great confusion on board … they must have lost their heads.” (“The Lusitania.” HistoryLearningSite.co.uk. 2014. Web) One thousand one hundred ninety five of the 1,959 people aboard the Luisitania died, 123 Americans among them. Captain Turner survived although he had been washed overboard and spent over three hours in the sea.

Installing the Lusitania exhibit are  (l-r): Laura Bang, Alison Dolbier and Marjory Haines.

Installing the Lusitania exhibit are (l-r): Laura Bang, Alison Dolbier and Marjory Haines.

This event sets the stage for the current Special Collections exhibit, “‘Too Fast for Any Submarine’: The Last Voyage of the Lusitania,” curated by Allison Dolbier, a Digital Library intern. Laura Bang, Digital and Special Collections curatorial assistant; Michael Foight, Special Collections and Digital Library coordinator; and Marjory Haines, intern, helped Dobier install the exhibit, which fills seven display cases. Joanne Quinn, graphic designer and Communication and Service Promotion team leader, created the graphics. The exhibit is multi-faceted, incorporating a wide variety of materials: newspapers, children’s books, two medals, photographs and more.

2015-05-05 17.11.22A large poster, “Dastardly Deed!” captures the eye and leads one to the beginning of the exhibit in the upright case; the dastardly deed is, of course, the German U-boat’s attack. On the top shelf is the curator’s introduction, “A Fateful Voyage.” And on the same shelf is a color postcard of the Lusitania, mailed in 1909. On the next shelf are a 1913 two-page advertisement for the Cunard Steamship Co. in The Fra: A Journal of Affirmation, “Are You a Citizen of the World? An Advertisement by Elbert Hubbard.” There is a newspaper from Panama City, May 9, 1915, with a prominent headline, “Death’s Toll of the Lusitania, 1346.” There are also a menu and tickets in a frame as well as a copy of an advertisement for the Lusitania with a “Notice” below warning travelers. The “Notice” is signed by the Imperial German Embassy.

On the bottom of this case is a bright red flag with a golden yellow lion, a Cunard Steamship Company flag on loan from Eugene L. DiOrio, a small bottle containing rust from the Lusitania and its certificate of authenticity, and Exploring the “Lusitania”: Probing the Mysteries of the Sinking That Changed History, 1995, by Robert D. Ballard and Spencer Dunmore. This book is open to show the Lusitania as it appears underwater today.

IMG_2146Flanking this cabinet is a large framed print, “The Cunard Line Steamships: Lusitania and Mauretania.”
There are six more cases, each labeled “Too fast for any submarine,” the claim made for the Lusitania. These cases contain a variety of materials such as books, a newspaper scrapbook open to a clipping with the headline. “U. S. Ship Torpedoed; American Lives Lost,” pamphlets from 1915 and ’17, two medals, and much more.

One case is dedicated to “The Irish advocate for Germany … and Independence,” and another case focuses on “German-Americans and the case for American neutrality.” These two cases remind viewers that the United States is and was a nation of immigrants and there were often conflicting opinions about the Great War, World War I.

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Highly informative and often visually appealing, this is an exhibit worth multiple visits to fully absorb its offerings. The exhibit will continue until mid-September.


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Digital Library houses unique Lincoln assassination manhunt materials

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Falvey Memorial Library’s Digital Library and Special Collections hold a special and fascinating repository of materials pertaining to Abraham Lincoln’s assassination, which commemorates its 150th anniversary today. The materials show a rare glimpse of the fervor and technology utilized in the manhunt to locate Lincoln’s assassin, John Wilkes Booth, in the days and weeks following the fatal shooting.

The following four features include links to digitized content about the assassination and hunt for the assassins, provided by Michael Foight, Special Collections and Digital Library coordinator. Click on the blue hyperlinks to go directly to the materials’ digital holdings and data.

Visit the Digital Library anytime to view our comprehensive and diverse collection of rare books, manuscripts, realia and other digital content.

MEDIUM file for this DataModel

Special Order No. 61, April 16, 1865

Special Order No. 61, April 16, 1865

http://digital.library.villanova.edu/Item/vudl:95870


Special Order, No. 66, April 21, 1865

Special Order, No. 66, April 21, 1865

 

Special Order, No. 66, April 21, 1865

http://digital.library.villanova.edu/Item/vudl:95874


New York Tablet : A Family Journal, v. VIII, no. 47, April 22, 1865 (see pages 8+)

New York Tablet : A Family Journal, v. VIII, no. 47, April 22, 1865 (see pages 8+)

 

New York Tablet : A Family Journal, v. VIII, no. 47, April 22, 1865 (see pages 8+)
http://digital.library.villanova.edu/Item/vudl:292524


 

Letter, To: "My gentle unknown friend" From: Henry O. Nightingale, April 30, 1865

Letter, To: “My gentle unknown friend” From: Henry O. Nightingale, April 30, 1865

Letter, To: “My gentle unknown friend” From: Henry O. Nightingale, April 30, 1865
http://digital.library.villanova.edu/Item/vudl:23485


Resources and links provided by Michael Foight, Special Collections and Digital Library coordinator.


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Art of Spring Break: Cabinets of Curiosities: Highlights from Special Collections

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“Cabinets of Curiosity: Highlights from Special Collections,” a new exhibit on Falvey’s first floor, consists of six cabinets highlighting a variety of materials recently acquired by Falvey’s Special Collections. Photograph albums, a scrapbook, children’s books, adult novels, a tour book for California, a stereoscope and cards (double photographs that appear in three dimensions when viewed in a stereoscope), and a World War II Japanese portable volt-and-current meter are just some of the items in this exhibit.

METER.

Laura Bang, Digital and Special Collections curatorial assistant, curated the exhibit. Michael Foight, Special Collections and Digital Library coordinator, helped Bang install the exhibit. Joanne Quinn, Communication and Service Promotion team leader and graphic designer, created the graphics for “Cabinets of Curiosities.”

Bang introduces the exhibit saying, “This ‘highlights’ exhibit features a selection of recently acquired materials. Over the past two years, we have focused out collection efforts primarily in the areas of popular culture and materials and upcoming historic anniversaries, particularly the current centennial of the First World War.”

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“I love these ‘hodge-podge’ exhibits,” she adds, “because they give us a chance to show some of the great stuff that doesn’t fit in our regular-themed exhibits, like the stereoscope viewer.”

Two recent donations—Irish-themed books given by Patrick Moss, and a World War II collection from the family of James D. Reap, Jr.—are featured in the “Cabinets of Curiosities.”

The “Cabinets of Curiosities” will remain on display until mid to late March, followed by an Easter exhibit.


imagesArticle by Alice Bampton, digital image specialist and senior writer on the Communication and Service Promotion team. 


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Art of Spring Break: See Rare Illustrations that Complement Cortona Painting—A Conservation Update

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What is the latest news about the conservation of “The Triumph of David,” the large painting attributed to Pietro da Cortona, located in the Reading Room of Falvey Hall (aka Old Falvey)?

Conservation is well under way. The painting has been cleaned, areas where paint is missing have been filled (these are the reddish brown areas visible), the painting has been varnished several times and the conservator,

deGhetaldi

deGhetaldi

Kristin deGhetaldi, and her interns are now in-painting (filling in with color the areas where paint was lost). This in-painting is a slow process, using very soft, fine pointed brushes to make tiny strokes. Thus, you are not likely to see dramatic changes day to day or even week to week.

However, one very obvious change to the room is the addition of a small exhibit housed in two cases, one on each side of the gated entrance to the painting. This exhibit, designed by Laura Bang, Digital and Special Collections curatorial assistant, will remain on display until the conservation of “The Triumph of David” is completed.

In her introduction to the exhibit, Bang explains, “Princess Ruspoli’s adopted daughter, Maria Theresa Droutzkoy, also a princess after marrying a Russian prince in 1945, provided funds for the framing and conservation of “The Triumph of David” in the 1950s. [The painting itself was donated to Villanova University by Princess Ruspoli.] She and her husband, Prince Alexis Droutzkoy, donated some other art to the University at the same time, as well as four books that were donated to the Library’s Special Collections, on display in these cases.”

The two books in the left case are both open to show illustrations. The first book is Catalogue of Paintings Forming the Private Collection of P. A. B. Widener: Ashbourne, Near Philadelphia, written by Aliene Ivers Robinson and published in Paris in 1885. The large black and white illustration shows a man with two horses in an expansive landscape. At the time this catalog was published, it was not possible to print photographs in books, so what is shown is a black and white engraving of the painting.

P.A.B. Widener

P.A.B. Widener

P. A. B. Widener, Peter Arrell Brown Widener (1834-1915), was a wealthy Philadelphia businessman, an art collector and a former Philadelphia city treasurer. His collection included works by Rembrandt van Rijn, Frans Hals, Jan Steen, Edouard Manet and Auguste Renoir. Ashbourne, the residence named in the book’s title, still stands in Elkins Park although it is now called Lynnewood Hall. In 1940 P. A. B. Widener’s sole surviving son, Joseph, donated over 2,000 items from his father’s collection—sculptures, paintings and decorative arts—to the National Gallery of Art.

The Catalogue of Paintings itself was donated to Special Collections in 1961. It is number 17 of an edition of 250. Widener gave this signed book to Aliene Ivers Robinson. One wonders how it made its way into the possession of the Droutzkoys.

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In the same case is volume three of the 12 volume set of Cérmonies Et Coutumes Religieuses De Tous Les Peuples Du Monde: Représentées Par Des Figures Dessinées De La Main De Bernard Picart [Religious Ceremonies and Customs of All the Peoples of the World: Illustrated by Hand Drawn Pictures by Bernard Picart]. The text, in French, is by Jean Frederick Bernard of Amsterdam; the engraved illustrations, as noted in the title, are the work of Bernard Picart. This large volume was published in Paris in 1807.

Picard and Bernard intended to document the rituals and ceremonies of all the religions known at the time. Cérmonies Et Coutumes Religieuses …, volume three, discusses the Greeks and Protestants. It is opened to show text on the right and three illustrations on the left page. Two of the illustrations show ceremonies on Pentecost in The Hague (Netherlands) and Schmerhorn (Germany); the third illustration is titled “The Kings’ Star Carried (or on Parade) through Amsterdam[Netherlands].” The three Kings are likely the Magi. Falvey’s Digital Library has all 12 volumes of this edition digitized.

The series of Cérmonies Et Coutumes was first published between 1723 and 1737. Picart was a famous 18th century engraver. Cérmonies Et Coutumes is the first work undertake such a broad view of the known religions, and it was reprinted several times. Falvey’s set is a later reprint. For the significance of Cérmonies Et Coutumes, see The Book That Changed Europe.

The second case holds two additional books donated by the Droutzkoys: Shelley and Keats As They Struck Their Contemporaries: Notes Partly From Manuscript Sources by Edmund Blunden, and an untitled photograph album. Shelley and Keats … was published as an edition of 310 copies in London in 1925. Falvey’s copy is number five, and it is signed by Blunden, the editor; by the designer, Wyndham Payne; and by the publisher, binder and typographer, Cyril W. Beaumont. Payne also designed the cover, a wallpaper-like pattern, as well as the decoration of the title page. Prince Droutzkoy donated this book in 1960.

The most fascinating book in this small exhibit, for this writer, is the photograph album. Bang says, “This appears to be a photograph album containing original photographs of the city of Florence.” The album is opened to two photographs, one of the Piazza Santa Croce and the other of the cloister of the church of Santa Croce and the Pazzi Chapel designed by Brunelleschi. In the lower left margin of each photograph is “Edizione Brogi.” The photographs seem to be albumen prints.

A bit of research provided additional information: Giacomo Brogi (1822-1881), an Italian photographer, founded a company in Florence which published photographs. In the late 1800s the company employed 85 people. Brogi photographed not only Florence but also other sites in Italy, and he traveled to the Middle East in 1868. Giacomo Brogi had shops in Florence, Naples and Rome.

Carlo Brogi, retrieved from http://www.giacomobrogi.it

Carlo Brogi, http://www.giacomobrogi.it

His son, Carlo Brogi (1850-1920), continued the business after his father died. Carlo Brogi sold both his own and his father’s photographs under the label “Edizione Brogi Firenze.” This writer speculates that the photographs on display date from the 1880s and that the album may have been purchased as a souvenir of someone’s trip in a time, very unlike ours, when few people owned cameras.

One wonders where and when Prince and Princess Droutzkoy acquired these books. And did they purchase them as collector’s items, or did they enjoy them for their aesthetic appeal?

The exhibit will remain on display for the duration of the conservation of “The Triumph of David.” Small though it is, the display is fascinating and well worth a very detailed examination. And if the conservators are working on “The Triumph of David” during your visit, feel free to enter the fenced area for a closer look and to ask questions. The conservators are very gracious about sharing their knowledge.


imagesArticle by Alice Bampton, digital image specialist and senior writer on the Communication and Service Promotion team. 


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The 8:30 | Things to know before you go (2/25)

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Here’s your daily dose of library-oriented speed-reads to start your day!

TODAY IN THE LIBRARY…

EXTENDED HOURS FOR MIDTERMS!
The library will be open until 3:00AM. Study party!


VSB Peer Tutor Office Hours. 6:00-7:30 p.m. in room 205. Open to all VSB students. Walk-in study sessions. (Tuesdays, Wednesdays and Thursdays throughout the semester.) Questions? Contact: patricia.burdo@villanova.edu


Don’t miss the Villanova Digital Library content round-up!

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GETTING READY FOR BRACKETOLOGY!
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Outreach intern Kallie is a profesh taper. You’ll never see cleaner blank spaces (sorry, T. Swift)! Hint: these March Madness Matchups might make your stomach growl. Look for the voting board by Falvey’s entrance right after Spring Break. Nom!


FOLLOW US ON FACEBOOK
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If you give our page a like on Facebook, you’ll be so in the know. Not only do we share links to all the goings-on of our blog, but we also post announcements and share very cool content from all around the internet!


QUOTE OF THE DAY
“Every page of every book was a peep-hole into the realm of knowledge. His hunger fed upon what he read, and increased.” – Martin Eden by Jack London


HAVE A GREAT DAY!

If you have ideas for inclusion in The 8:30 or to Library News in general, you’re invited to send them to joanne.quinn@villanova.edu.

 


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Share the Love: Macaroons and Chocolate

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Like the title says, we’re here to talk about macaroons, referred to by the official website of France as “seductive little biscuits,” and chocolate, traditionally consumed on Valentine’s Day.

If you read the play “A Doll’s House”, then you probably remember Nora’s obsession with macaroons and the significance of this simple cookie in the play. A similar theme plays out in the movie “Chocolat” where chocolate is taboo during Lent but its overwhelming allure leads the residents of a quaint French village to hide their consumption of it from the mayor.

London Art of Cookery title pageI’m using a recipe from “The London Art of Cookery and Domestic Housekeepers’ Complete Assistant On a New Plan Made Plain and Easy to the Understanding of Every Housekeeper, Cook, and Servant in the Kingdom,” written in 1783. How’s that for a title? We have the print edition in Special Collections, but there are also other digitized editions available.

An important distinction needs to be made. Macaroons, as they are made in France, are almond biscuits sandwiched together with jam, chocolate, or other sweet fillings. The “other” type of macaroons contain shredded coconut. And although the recipe from The London Art of Cookery simply calls them Macaroons, it’s actually a recipe for French macaroons, not coconut macaroons. It’s confusing. I know.

Macaroons

 

 

 

 

One detour from the recipe will be the addition of chocolate ganache filling between two macarons, which is how they would be made in a French pattisserie. I will use the 1783 recipe for the cookies and a Food Network recipe for the ganache. And of course, I had French cafe music playing on Spotify, for inspiration.

Ingredients:

1 lb. sugar

1 lb. almonds, blanched and beaten (almond meal)

A few drops of rose water

7 egg whites, frothed

macaroon batterAfter combining the sugar, almond meal, and a few drops of rose water, I stirred in the frothed egg whites. The egg whites should form stiff peaks before being added to the sugar and almond meal. Using a small spoon, drop round dollops of batter about two inches apart on a parchment paper-lined baking sheet. Or you can use a pastry bag. The recipe ends with the instruction, “put them in the oven” without so much as an oven temperature or length of cooking time. I checked the Food Network for a suggested oven temperature (325) and time (13-15 minutes).

There was no measurement for the rose water so I used ½ tsp., but next time I would skip it altogether. It was a noticeable and not necessarily pleasant flavor, but that’s just my opinion. Luckily, the chocolate ganache soon remedied that. The cookies came out a little flat, not like the macarons I’ve come to expect. They tasted good so, who am I to complain? One last tip: make extra ganache. It’s great for dipping strawberries.

macaroons plated

To quote Nora, and although they didn’t turn out perfectly, “I shall have one, just a little one–or at most two. I am tremendously happy.”

Happy Valentine’s Day!

 

 

 

 

I want to thank Michael Foight and Laura Bang in Special Collections at Falvey Memorial Library for locating suitable recipes from Falvey’s print and digital collections. Their help was invaluable.


‘Caturday feature written by Luisa Cywinski, writer, Communication & Service Promotion Team and team leader, Access Services.

 


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The Great War at Falvey: Online and In-House

LAURA

The title of the exhibition,  “Home Before the Leaves Fall,” comes from a statement attributed to Kaiser Wilhelm II of Germany during an Aug. 1914 speech addressed to troops being assigned to the front lines.

Michael Foight, Special Collections and Digital Library coordinator, has served as editor, project organizer and curator of the online exhibition (HBTLF), and says this exhibition draws from rich holdings, “many little known or used,” of organizations and individuals in the mid-Atlantic region to tell the story of the Great War, World War I. “Home Before the Leaves Fall” commemorates the centennial of the first truly world-wide war. Foight tells us, “Collaborative by design, HBTLF is a multi-institutional project: articles curated by individual scholars and experts guide readers through the many threads that weave materials into a narrative tapestry, while social media spotlight newly digitized content, creative and educational use of materials, and news of other Great War commemorations. … New content will be regularly added.”

In addition to Foight, other curators from Villanova University are Laura Bang, Digital and Special Collections curatorial assistant; Demian Katz, Library Technology Development specialist; Barbara Quintiliano, nursing/life sciences and instructional services librarian; and Alexander Williams, temporary Research Support librarian. Two former Digital Library interns are also curators: Ruth Martin (2014) and Brian McDonald (2012). Other curators are affiliated with Swarthmore College, American Philosophical Society, Athenaeum of Philadelphia and Chemical Heritage Foundation.

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The online exhibit includes the following sections: about—contains the “Curator’s Introduction” by Foight and a short video, “Das Lausejagd (The Lousehunter),” a dedication and acknowledgements; articles—written by various specialists; projects—(“Home Before the Leaves Fall News & Blog,” “Mail Call: A Podcast of News and Letters from the Great War”

, “The Fallen of the Great War: The Philadelphia Project [a genealogical research project],” and a list of participating institutions such as Fort Mifflin on the Delaware, Genealogical Society of Pennsylvania, Historical Society of Pennsylvania, Villanova University and others); and resources—with links to “Letters, Diaries and Autobiographies,” “Materials” and “Works Consulted/Further Reading.” “Home Before the Leaves Fall” is not a static exhibit; new material is added frequently.

Falvey Memorial Library is hosting two corollary exhibits with graphics by Joanne Quinn, graphic designer and team leader of Communication and Service Promotion. On the first floor is “Home Before the Leaves Fall: Lost Memories of the Great War” curated by Laura Bang. This exhibit displays numerous items from Special Collections: two scrapbooks of French photographs, postcards, and books.

In the reference area of the second floor Learning Commons is a small exhibit, “WWI 100 Years: Lessons to be Learned,” designed by Joanne Quinn. This exhibit consists of books from Falvey’s collections selected by Sarah Wingo, subject librarian for English and theatre; Jutta Seibert, subject librarian for history; Merrill Stein, subject librarian for geography and political science; Linda Hauck, subject librarian for business; and Alice Bampton, an art historian. On the wall beside the exhibit are a large poster for “Home Before the Leaves Fall,” with the URL for the online exhibit and an arrow directing visitors to Special Collections. Also featured are reproductions of World War I posters, a world map showing the opposing nations and an illustrated timeline of the war.


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It’s Shark Week and we’ve got fintastic shark art from the Digital Library!

SHARK DIGITAL
http://digital.library.villanova.edu/Record/vudl:312089

Did we, ahem, whet your appetite for more Dime Novel adventure? If so, be sure to check out our fascinating full collection of Dime Novel and Popular Literature from 1860 to 1930.


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Special Collections project on WWI to be featured on PCN broadcast

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Verizon Channel 9 – which is PCN, Pennsylvania’s non-profit cable network, broadcast a show entitled Philadelphia in World War I. For those who missed it, this program will be re-broadcast Saturday, July 26th at 5:35 pm and again on Sunday, July 27th at 04:35 am.

This program includes an interview with Special Collections and Digital Library Coordinator Michael Foight and other speakers involved with the “Home Before the Leaves Fall: a Great War Centennial Exposition” which features World War I content from Villanova University as well as other heritage organizations throughout the Mid-Atlantic region. Experience World War One as it happened day by day, 100 years ago at http://wwionline.org.


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Last Modified: July 24, 2014