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The Highlighter: How Do I Contact a Librarian?

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Need help citing sources, checking style guidelines or answering other questions before turning in that big paper? This video shows the many ways to contact a University librarian. How many ways are available? Watch the video to find out. (Enable Closed Captioning for silent viewing):

For additional “How to” videos, click the “Help” button on Falvey’s homepage.


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St Joseph, Patron Saint of Fathers

St_Joseph_the_Worker

Saint Joseph is a protector of the Augustinian order. Early in the fifth century, Saint Augustine addresses the issue of how Saint Joseph can be said to be the ‘father’ of Jesus, since God is the father of Christ Jesus, the Incarnate Logos, and Saint Joseph never had any conjugal relations with the Theotokos, the Blessed Virgin Mary.

“On account of that faithful marriage both of them deserved to be called the parents of Christ. Not merely was [Mary] called his mother, but as the spouse of Christ’s mother, [Joseph] was called his father, for he was both of these by his mind, not by the flesh. Though he was [Jesus Christ’s] father only by his mind and she was his mother also by the flesh, they were both parents of his humble condition, not of his lofty condition, of his infirmity, not of his divinity.” (Augustine, “Marriage and Desire” I. 11.12. Translated by Roland J. Teske, S.J. The Works of Saint Augustine: A Translation for the 21st Century. Volume I/24: Answer to the Pelagians, II, 37. Edited by John E. Rotelle, O.S.A. Hyde Park, New York: New City Press, 1998. Many volumes from this contemporary edition in English of The Works of St. Augustine are available via the Past Masters database.)

In a signed article, “Marriage” (from Augustine Through the Ages: An Encyclopedia, edited by Allan D. Fitzgerald, O.S.A., available via Falvey’s Digital Library), David G. Hunter states: “Augustine’s initial response to Pelagian critics of his views on marriage is found in the first book of De Nuptiis Et Concupiscentia, addressed to Count Valerius (ca. 418).” De Nuptiis Et Concupiscentia, “Marriage and Desire,” book one by St. Augustine is the work quoted above.

Around the time of the writing of this work, Augustine’s doctrine of grace was vindicated. The Catholic Church affirmed against the perfectionism of Pelagianism that human will is ineffective in doing good, including in marriage, unless first perfected by God’s gracious gift of participation in the divine life of the holy Trinity. A preeminent father of the church and one of the four great doctors of the Latin, i.e., Western, church, the sobriquet of Saint Augustine, the spiritual father of the Augustinian order, is doctor of grace.


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The Highlighter: Navigate EBSCO-Provided Databases Like a Pro

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Falvey subscribes to over 250 databases, and many of these are supplied through EBSCO, a database provider. This video shows how to navigate EBSCO-provided databases.  (Enable Closed Captioning for silent viewing):

For additional “How to” videos, click the “Help” button on Falvey’s homepage.


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The Curious ‘Cat: Taking Accelerated Courses? Tips to Help You Succeed

Curious Cat

This week, the Curious ‘Cat asks four library professionals: “What tips, suggestions, or advice do you have to offer for students taking accelerated courses this summer?”

Nik-Fogle crNik Fogle wants students to know that “the Library is here to provide them with whatever resources they need to succeed in their coursework. … the Library is a great place to turn for background readings, or resources that go into more depth than can sometimes be covered in class. If their coursework is research-intensive, our goal is to provide them with everything they’ll need for well-informed research projects and papers—from books and journal articles to news sources, original data, government documents, etc. And the Library is probably the quietest and most peaceful place to study, which really helps when you need to focus and get through a lot of material.”

AlfredFryAlfred Fry recommends the “Live Chat” feature on the Subject Guides pages (lower, right corner). He also encourages each student to “get sources for your project early.  Don’t wait until the weekend before a project is due.  Subject specialists don’t work on weekends and may take vacation.”

 

RS4522_FML164_LindaHauck_003_EDITLinda Hauck—“Research in summer classes is by necessity condensed and intense.  There just isn’t time to allow for serendipity to guide your research path. Find out if there is a course guide for your project, and if there isn’t make an appointment with a librarian.  Bring your research prompt to the meeting, so that the librarian can hone in on just what you need.”

FML164_BarbaraQuintiliano_011_EDITBarbara Quintiliano encourages students to reach out to the contact librarian for their subject area (From the “Subject Guides” page on Falvey’s site, click the subject name to find contact info. for the librarian who specializes in that subject). Barbara adds that “the Library has a wealth of specialized resources that are not available for free to the general public but that they can access as Villanova students.

“The subject librarians really want to be contacted so that they can help students save time. So, if students are looking for specialized information for their course work, they should not spend valuable time searching at random on Google but should contact their subject librarian right away.”


Be on the lookout! The Curious ‘Cat (Gerald Dierkes) and his trusty roving photog (Alice Bampton) may be stopping you next time you visit the library! ;-)


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The Highlighter: Explore Falvey’s Many Blogs

 

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In addition to the Library News blog, Falvey publishes several subject-specific blogs on its site. This video shows how to access the library’s subject-specific blogs.  (Enable Closed Captioning for silent viewing):

For additional “How to” videos, click the “Help” button on Falvey’s homepage.


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A Brief Look at Italian and English Renaissance Drama

Did yesterday’s blog post about Renaissance Faires whet your appetite for Renaissance Drama? Look no further than this thoughtfully assembled blog by Sarah Wingo, Subject Librarian for English Literature and Theatre.


When you hear the word Renaissance you may think of Michelangelo painting the ceiling of the Sistine chapel and Leonardo da Vinci’s Mona Lisa, or you may think of Queen Elizabeth I and Shakespeare. In both cases you’d be right, but you may not be aware that you’re thinking of two fairy distinct (though overlapping) time periods. The European or Italian Renaissance spanned the 14th to the 17th century beginning nearly a century before the Renaissance would truly gain momentum in England in the late 15th century and extend to beginning of the 17th century.

The Renaissance period in Italy and England were both characterized by a “revival of the arts and high culture under the influence of classical models” (OED), but each also had traditions and art forms distinctly their own.

One area in which Italian arts and English arts diverged was theatre.

Taglia Cantoni and Fracasso

Two Pantaloons Dancing. Bello Sguardo, Couiello. Dances of Sfessania (Balli di Sfessania 1621) series by Jacques Callot, 1592 – 1635.

In Italy a form of theatre known as commedia dell’arte[i] was popularized between 1575 and1650. Performed in open spaces and at fair grounds commedia dell’arte was largely improvised versions of familiar tropes. Commedia stories relied upon stock characters which were divided into 3 categories the lovers, the masters, and the servants, with distinctive characters belonging to each category such as Pantalone a greedy Venetian merchant. These characters were easily recognized by their distinctive clothing and the masks that they wore, thus allowing audiences to immediately identify heroes and villains within any story being told.[ii]

Most people will be more familiar with the theatre of the English Renaissance due to the enduring popularity of William Shakespeare. Shakespeare’s earliest plays were likely performed in the mid-1580s. From 1594 onwards his works were performed by the Lord Chamberlain’s Men, a company of players of which he was part owner, who later became The King’s Men after being awarded a Royal Patent by King James I in 1603.

Shakespeare is the most well-known playwright from the English Renaissance at least in part due to the fact that more of his plays survive, thanks to their publication in the First Folio in 1623, than do the plays of most other playwrights from that era. Because plays were considered common entertainment rather than high art plays were not regularly published[iii], in fact of the 36 plays published in the Shakespeare’s First Folio only 16 existed in published form prior to the printing of the folio meaning that a full 20 of Shakespeare’s plays including Macbeth, The Tempest, and Twelfth Night would be unknown to us were it not for the printing of the First Folio. Likewise of the thousands of plays produced by numerous playwrights throughout the English Renaissance only a small percentage survive to this day.

Swan Theatre

The Swan Theatre: Arnoldus Buchelius (Aernout van Buchel) (1565-1641), after a drawing of Johannes de Witt (1566-1622). Utrecht, University Library, Ms. 842, fol. 132r.

Although there were some indoor performance spaces such as those at court and Blackfriars most theatres including The Globe where Shakespeare’s plays were performed from 1599 until it burnt down in 1613, were rounded open air structures with seating around the walls of the building and cheaper standing space in the center around the stage as can be seen in this image of The Swan Theatre, a contemporary of The Globe.

Theatre companies functioned as repertory, with a rotation of plays in performance, rarely performing the same play two days in a row. Theatre companies were also comprised entirely of men, female characters famously being played by “boy actors,” though the term “boy” may be misleading as it is believed that while the female roles were played by young men, they were not as was once believe played by children.

One reason that theatre from this period is so important is that it is really the first time that the Western World begins to see secular theatre performed in much the same way that modern theatre is performed today. The plays themselves also being very recognizable as modern theatre in stark contrast the highly stylized and religious liturgical dramas and morality plays which preceded the theatre of Shakespeare and his contemporaries. [iv]

[i] Katritzky, M A. The Art of Commedia: A Study in the Commedia Dell’Arte 1560-1620 With Special Reference to the Visual Records. Amsterdam ; New York: Rodopi, 2006.

[ii] Read more about Commedia dell’arte at the Metropolitan Museum of Art website.

[iii] For more information about printing and publishing of plays during the English Renaissance see : Jowett, John. Shakespeare and Text. Oxford ; New York: Oxford University Press, 2007

[iv] Andrew Gurr has written prolifically on the topic of English Renaissance drama, and his books The Shakespearean stage, 1574-1642 and Playgoing in Shakespeare’s London would be of particular interest to anyone wishing to learn more on this subject.

 


SarahArticle by Sarah Wingo, team leader- Humanities II, subject librarian for English, literature and theatre.


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Dig Deeper: Mad Men (What to Read Next)

MAD-MEN

Almost as much as the booze and mid-century decor, AMC’s Mad Men used books to define the sixties generation.

Characters were often seen perusing or reclining aside towering stacks of TBR paperback bestsellers on their night tables. Serious fans of the show would map plots of Don Draper’s reading materials onto his “real life” emotional state of mind, aware of creator Matt Weiner’s slavish and lavish attention to detail and propensity for seeding foreshadowing and plot just about anywhere. Not one frame of the 45 minute show was ever wasted.

I don’t think I’d be too off base to believe that readers of an academic library blog would be dedicated spine readers like me and would agree that part of the fun of watching Mad Men was keeping an eye out for the books. Also sharing our idea of geeky fun was the New York Public Library, which has maintained the “Mad Men Reading List”  since 2010. (Why didn’t we think of that!?)

But no need to travel to Manhattan to schlep some of Don or Sally Draper’s favorites to the beach this summer. Falvey has dozens on our shelves:

Meditations in an Emergency – Frank O’Hara (see “Table of Contents”)

Confessions of an Advertising Man – David Ogilvy

Babylon Revisited and Other Stories – F. Scott Fitzgerald

The Chrysanthemum and the Sword – Ruth Benedict

Exodus – Leon Uris

Ship of Fools – Katherine Ann Porter

Lady Chatterley’s Lover - D.H. Lawrence

The Sound and the Fury – William Faulkner

Atlas Shrugged – Ayn Rand

The Agony and the Ecstasy – Irving Stone

The History of the Decline and Fall of the Roman Empire – Edward Gibbon

Despite Sterling Cooper/McCann Erickson Chief Copywriter Peggy Olson admitting that she never knows whether it’s good or bad, this list is just the tip of the iceberg.  (In this case, it’s good, Peg.) Check NYPL for more books and our catalog for availability. And remember, now that you’re not watching so much television, you’ll have more time to read! Woo hoo!

Advertising resources

Mad Men also has celebrated and skewered the field of advertising. The bookend music of last night’s series ending episode: Paul Anka’s “The Times of Your Life” and the Hilltop Singers’ “I’d like to Teach The World To Sing” both were parts of iconic landmark ads that used some of our favorite human emotions to sell film and sugar water.

Usage of these songs exemplify tactics that Draper described in an very early episode, serving to bookend the entire series: “Advertising is based on one thing, happiness. And you know what happiness is? Happiness is the smell of a new car. It’s freedom from fear. It’s a billboard on the side of the road that screams reassurance that whatever you are doing is okay. You are okay.”

The fanfare surrounding the end of Mad Men and unceasing growth of communication and business marketing majors speaks to how the field of advertising is perennially fascinating and attractive, with hundreds of new Villanovans entering the field yearly.

Dig Deeper

Business librarian Linda Hauck maintains a helpful and browser-friendly subject guide that highlights advertising resources that are fun to dip into even if you don’t have a paper due and would just like to trace the steps of real Mad Men (and Women) through the history of advertising.

Here are some curated links, and feel free to stop by or contact us if you’d like direction or ideas for further digging.

 



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May the Fourth Be With You! A Star Wars Dig Deeper

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To say Star Wars is the best movie franchise of all time might be overselling it (especially considering the execrable episodes I-III), but it was the first movie I ever saw on the big screen, and yes, it was brand new when I saw it in 1977. I was five, and even though I didn’t understand the subtext, it helped define my lifelong love of science fiction and high fantasy and the same can be said of millions of fans worldwide. The question is “why”? Why is it so important to so many people? Why has it been translated into dozens of languages, spawned more movies, cartoons, dozens of novels, and a fanatical global following? Why are my friends handing down their original 1970’s Kenner action figures to their children, like some ancient sword passed down from their father’s, father’s, father? Why is it being reborn, yet again, by Disney and directed by the highly respected J.J Abrams?

Two simple words: It’s awesome.

Prior to Star Wars (now known as Star Wars Episode IV: A New Hope, an inelegant name for an inelegant time) a “Space Opera” was a pejorative term for the cheap, pulp comics of the 1940’s, 50’s, and 60’s. The Oxford English Dictionary defines it as “a science fiction story or drama set in space; space fiction esp. of an unsophisticated or clichéd type.” These stories are known for their melodramatic and overly romantic portrayals of enemies fighting each other in outer space using advanced, futuristic weaponry and technology.

By 1977, Space Opera was a well-established – if fringe – genre in comic books like Flash Gordon (1934), television shows like Star Trek (1966), and films like Barbarella ( 1968). But Star Wars brought something new to the equation; a complex coming-of-age story set against the backdrop of a totalitarianism and rebellion.

star-wars-issue-1-Alex-Ross-1

Themes of mysticism, oppression, community, colonialism, trade politics and self-discovery gave the first trilogy a depth that did not jibe with the “unsophisticated” definition of Space Opera. The genre had suddenly become something for grown ups: The number of times you saw “Jedi” became a badge of pride for geeks and non-geeks alike. Its state-of-the-art special effects blurred the line between reality and fiction to the point that robots and fighting teddy bears became lovable – and essential – characters. Discussions about hyperdrive, Jedi mind tricks, and the feasibility of real world light sabers became water cooler conversation. It marked a sea change that first legitimized Space Opera and, by extension, science fiction as a mainstream genre.

Viewership for shows like Star Trek and Battlestar Gallactica swelled as fans hungered for more and the success of these shows and ancillary movies spawned hundreds of sci-fi knock-offs and permutations. Whether you love Star Wars or not, it can be argued that all modern science fiction, from blockbuster movies like Interstellar and Transformers to TV shows like Futurama and Doctor Who, owe their continued success, and even their genesis, to a low budget 1970’s film trilogy about a farm boy, a scoundrel, a sassy princess, and a few droids who toppled an oppressive empire and saved their galaxy a long time ago in a galaxy far, far away…

To learn more about the Star Wars universe and its influence, check out these Falvey Memorial Library resources:

Non-Fiction Books:
Star Wars and Philosophy : More Powerful than you Can Possibly Imagine
by Kevin S. Decker
PN1995.9.S695 S76 2005 – Falvey Main 4th Floor

Empire Building : The Remarkable, Real-life Story of Star Wars
by Garry Jenkins
PN1995.9.S695 J46 1999 – Falvey Main 4th Floor

Culture, Identities, and Technology in the Star Wars Films : Essays on the Two Trilogies
by Carl Silvio
PN1995.9.S695 S55 2007 – Falvey Main 4th Floor

From Star Wars to Indiana Jones : The Best of the Lucasfilm Archives
by Mark Vaz
PN1995.9.S695 V3913 – Falvey Main 4th Floor

Fiction Books:
Star Wars: Darth Plagueis
by James Luceno
PS3562.U254417 D37 – Falvey popular reading collection, Main floor

Star Wars: Heir to the Empire  by Timothy Zahn  PS3576.A33 H45 1991 – Falvey Main 4th Floor

e-Books:
How Star Wars Conquered the Universe : The Past, Present, and Future of a Multibillion Dollar Franchise
by Chris Taylor

Articles:
Search for articles using the search terms “Star Wars” (in quotes) and Film. Other useful search terms: politics, mysticism, influence, impact, technology, etc.

For help with research on the movies and their influence, contact Rob LeBlanc, first-year experience & humanities librarian at robert.leblanc@villanova.edu.


Rob LeBlanc is first-year experience & humanities librarian.Rob-ed


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The Highlighter: Discover Falvey’s Many Study Spaces

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Need a place for individual or group study? This video shows how to discover Falvey’s many study spaces. (Enable Closed Captioning for silent viewing):

For additional “How to” videos, click the “Help” button on Falvey’s homepage.


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The Belgian Cook Book

belgian cookbookWhile visiting my nieces, one of them showed me a cookbook she found and thought I might like to borrow. The Belgian Cook-Book (1915), edited by Mrs. Brian Luck, who apparently has no first name of her own and is referred to as M. Luck elsewhere in the book, is owned by only 58 libraries in the world, according to WorldCat.

The editor, M. Luck, collected recipes from “Belgian refugees from all parts of the United Kingdom” and intended this “small manual…for the use of the work-a-day and inexperienced mistress and maid.”  The preface, as well as the recipes, are filled with amusing expressions and anecdotes.

A newer edition was published by Baker & Taylor in 2006. There is also a digitized copy of the 1915 edition available through Project Gutenberg, which proved handy while cooking one of the recipes displayed on my iPad.

I was torn between using a recipe calling for asparagus, an early spring vegetable, or for mushrooms, which are typically harvested in spring or fall. Since the local asparagus crop at the farm in my area isn’t quite ready, I decided to go with mushrooms.

An image of the 1915 recipe is displayed below with my translation under it.

gourmands mushroomsgourmands mushrooms 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gourmands’ Mushrooms

8 tbsp. butter

1 lemon

½ lb. white button mushrooms

1 tbsp. flour

1 egg yolk

¼ tsp. salt

⅛ tsp. pepper

Bread or English muffins

mushrooms ingredients

Warm a whole, uncut lemon in boiling water for 3-5 minutes. Remove lemon from hot water and cut in half, squeeze one half lemon and set aside. Place butter in heavy saucepan over medium heat. Add lemon juice. When butter & lemon start to simmer, add mushrooms and cook until some of the liquid has been absorbed. Don’t allow the mushrooms to brown.

Remove mushrooms from pan with slotted spoon, leaving the juices in the pan. Toss mushrooms with flour, salt, and pepper. Return floured mushrooms to pan over low heat. Add one egg yolk and stir until thoroughly mixed with mushrooms. Add a few drops of water or chicken broth to moisten if needed. You can also add a few more drops of lemon juice to taste.

mushroomsServe on toasted bread or toasted British muffin. Makes 2-4 servings.

I leave you with this comment about savories from Madame Luck:

“If you serve these, let them be, like an ankle, small and neat and alluring.”

 

 


Food blog by Luisa Cywinski, writer for the Communication & Service Promotion Team and team leader, Access Services.


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Last Modified: April 26, 2015